![]() We always play the root in our left hand, and then from bottom to top, our right-hand plays 7-9-3-5. The second method – which I actually prefer – is to memorise the scale degree construction. There’s a couple of different ways to find this inversion, the first is to take the sequentially stacked voicing we had in the last drill, and now put the bottom 2 notes in our right hand on top. What we just covered is the ‘open position’, and we can also create a ‘closed position’ right-hand voicings containing the 3, 5, 7, & 9. There are 2 very useful right-hand inversions of this chord. ![]() We’ll stack 3rds from the root up to the 9th and move around the circle of 5ths. For this practice slot, we are just going to cover major and minor chords, and then in the next exercises, we will also introduce dominant chords and the full 251 progression.įor the first drill, we are going to build the major and minor 9th chord. The 9th is the first of the upper extensions 9, 11, & 13 and so it makes sense for us to isolate and work on this one first. ![]() The 9th Chord Extension & How To Practice It! In these 3 lessons, we will run over 6 exercises that will help you visualize and memorise the upper extensions for major, minor, and dominant chords. After watching the lessons in this course, you will now have a basic understanding of where extensions come from, and you should also be familiar with some useful extended chord voicings such as the So What Voicing, The Herbie Hancock Voicing, and the Kenny Barron Voicing. Welcome to this practice plan lesson for the course on Extended Chords & Voicings. ![]()
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